http://accentuatewriters.com/forumdisplay.php?fid=89Whether you're just catching your breath from NaNoWriMo, have always wanted to write a novel (or self help book or whatever!) but haven't gotten around to it, or have a have a half finished novel on your hard drive you really need to get to, Let's All Finally Finish a Novel (LAFFN) is the time to get it done! Heck, even if you have the book done, but need to rewrite it and polish it so you can submit it. You can do that, too. At LAFFN, we don't care what your goal is, as long as it gets you at least one step closer to getting your book published.
Sometimes, all we need is a little push and some support to finally get around to it. That's why I started LAFFN, to push me to finish my own projects. I run it in January and July (although that may change when we get our real, official website. For now, Accentuate Writers Forum graciously hosts us. Please stop by, declare your goal, and let's all finish something together!
Wednesday, December 15, 2010
Monday, December 13, 2010
Interview with literary agent Marsha Cook
I recently had the opportunity to promote myself and my books on Children's Author Discussion with Fran Lewis on blogtalk radio. I shared the air with several great authors, including Marsha Cook. She is a literary agent in addition to her writing career, so I brazenly asked for and she graciously agreed to an interview. In addition, she has agreed to field your questions, if you put them in the comments on this post today! Be sure to read the interview all the way through, then if there is anything left unasked, feel free to ask it. All I ask is that, if you disagree with something she says, you treat her with courtesy.
Jennifer Walker: Let's start by learning a little about Marsh Cook as a person. You are an author yourself--tell us about your work.
Marsha Cook: I love writing and I must admit I have spent more of my time promoting others more than myself. I am now promoting my work but I would much rather write all day. It is so much easier for authors to do different promotional projects to get there work out there than years ago and that is what I try to help authors do.
I have written three children's books, THE BUSY BUS, THE MAGICAL LEAPING LIZARD POTION and SNACK ATTACK. I have also written SALA, MORE THAN A SURVIVOR, a Memoir of a Holocaust Survivor and LOVE CHANGES, a mainstream novel. I have also written twelve screenplays and have had two of them optioned for movies.
Jennifer Walker: What made you want to be a literary agent, and what makes you a good one?
Marsha Cook: I became a Literary Agent basically because there were very few agents that were willing to help writers in the way I could. Most agents don't really understand how hard it is to write a book, even one that isn't a best seller. I always believed, and still do, with someone believing in you as a writer success can happen. Dreams do come true but most of the time not without help.
Jennifer Walker: Tell us a little about your agency. Do you have a company philosophy on how you represent authors and what sort of work you like to take on? How many queries do you receive, and how many new writers do you take on per year?
Marsha Cook: My philosophy has always been to keep writers writing and not have them give up. Most writers give up when they realize they will be rejected by most of the publishers and for screenwriters they will be rejected by many production companies. Rejection letters that I receive usually make me work harder to prove them wrong.
I receive thousands of queries a year. I don't take as many clients as I did in the past because I really believe authors need management and an agency that helps them get where they need to go. One of the problems that exists is authors have always heard don't pay an agent because when you sell they will get a commission, however most writers don't stay in the game that long and the agent never makes any money.
Years ago I paid an agent and I didn't mind because it does cost quite a bit to send projects out to production companies and publishers. I think if they changed the rules back to where that can happen more authors would be taken by Literary Agents. Life is different to most people these days, which means sometimes things need change. I don't feel anyone should work for free; however, that is what I have done for years. Don't think if an agent charges money that means they are taking advantage of you.
A good agent will help a self- published author market their work and that does mean authors should pay for these services and not feel that they are being taken advantage of.
Jennifer Walker: Can you share some of your agency's success stories?
Marsha Cook: We have been very successful at getting our clients work read , by producers and publishers. We also have had several optioned book for movies. Most importantly many of our clients have self - published their books and they are doing very well with their sales. They are happy and that makes us feel great.
Jennifer Walker: What are some of the biggest mistakes you see when people seek you out for representation? What sort of mistakes are deal breakers that will cause you to throw out a submission?
Marsha Cook: W e have never just thrown out a submission. One mistake is to say this is the greatest story ever…right there I know this is a person that will not be in this business for a long time.
Jennifer Walker: What are the most important things a writer can do to get you to want to learn more about their book?
Marsha Cook: Also talk about their credentials and how long they have been writing. That really does matter.
Jennifer Walker: I've been taught to make sure I have every i dotted, every t crossed and every duck in its row before submitting to an agent or editor. Have you ever received a submission that was all wrong, but something in it caused you to look past all that and take the author on anyway?
Marsha Cook: I am not like other agents. I first look at the work. The story and the characters matter to me. They can always have an editor fix their grammatical mistakes but if the story isn’t there that would be a problem. I’m not big on bringing out the red pen and finding fault with everything.
Jennifer Walker: How important is it to you as an agent for a manuscript to be well edited, by a professional if necessary, before you see it? Isn't the publisher responsible for editing?
Marsha Cook: The manuscript should be in pretty good shape and we would never send a script or book out that is not edited. I need an editor and so does everyone else, if not before we read it after. Every writer needs an editor and that the writer has to pay for. If a publisher does take it they will edit it however they want but when we send it out it has to be the best it can be.
Jennifer Walker: How do you feel about the huge surge in recent years of self-published authors and what this means to the industry? How do you feel about these authors querying you--do you want their book to have made a certain threshold of sales before you will consider them for future projects? Do you ever take on self-published books to try to sell to publishers (I'm wording that weird, so I hope you understand what I'm asking)?
Marsha Cook: I think most publishers are so used to rejecting books they sometimes miss great stories. I actually think self-publishing is a great way to start a career when the writer can’t get published traditionally. Taking on self published books is what we do. These books can be sent out to producers, because producers are always looking for a good story they can develop into a movie.
Jennifer Walker: Does the author having a book published with a small press give them any better or worse chance of getting representation with you?
Marsha Cook: It doesn’t matter because we look at the content. If the story is there we will take them.
Jennifer Walker: Jonathan Franzen stated in a recent issue of the New York Times Book Review that novels are going the way of newspapers, only faster. Do you feel that novels are still relevant, important and salable?
Marsha Cook: I think there will always be books, but there is a big shift in the market because of kindle, nook and all the e-readers. I think novels are always going to be revalant.
Jennifer WalkerYou represent a lot of screenplays. Do you think any book can be a movie? If not, what should an author look for in their book to decide whether they should try writing a screenplay for it?
Marsha Cook: Not every book can be a screenplay but there are so many that can make great movies. In a screenplay there has to be some degree of speaking and action. If there isn’t enough dialogue or action in a book it may not translate into a good movie.
Jennifer Walker: Now that we've gotten to know you, some of my readers might want you to represent them. Are you currently accepting queries, and are there certain types of projects you are looking for--or not? Where can writers find submission guidelines?
Marsha Cook: We are taking clients after the first of the year. They can submit by query letter. They can check out http://www.michiganavenuemedia.com/
Have some questions for Marsha? Post it in the comments section, and she'll come on and answer them!
Jennifer Walker: Let's start by learning a little about Marsh Cook as a person. You are an author yourself--tell us about your work.
Marsha Cook: I love writing and I must admit I have spent more of my time promoting others more than myself. I am now promoting my work but I would much rather write all day. It is so much easier for authors to do different promotional projects to get there work out there than years ago and that is what I try to help authors do.
I have written three children's books, THE BUSY BUS, THE MAGICAL LEAPING LIZARD POTION and SNACK ATTACK. I have also written SALA, MORE THAN A SURVIVOR, a Memoir of a Holocaust Survivor and LOVE CHANGES, a mainstream novel. I have also written twelve screenplays and have had two of them optioned for movies.
Jennifer Walker: What made you want to be a literary agent, and what makes you a good one?
Marsha Cook: I became a Literary Agent basically because there were very few agents that were willing to help writers in the way I could. Most agents don't really understand how hard it is to write a book, even one that isn't a best seller. I always believed, and still do, with someone believing in you as a writer success can happen. Dreams do come true but most of the time not without help.
Jennifer Walker: Tell us a little about your agency. Do you have a company philosophy on how you represent authors and what sort of work you like to take on? How many queries do you receive, and how many new writers do you take on per year?
Marsha Cook: My philosophy has always been to keep writers writing and not have them give up. Most writers give up when they realize they will be rejected by most of the publishers and for screenwriters they will be rejected by many production companies. Rejection letters that I receive usually make me work harder to prove them wrong.
I receive thousands of queries a year. I don't take as many clients as I did in the past because I really believe authors need management and an agency that helps them get where they need to go. One of the problems that exists is authors have always heard don't pay an agent because when you sell they will get a commission, however most writers don't stay in the game that long and the agent never makes any money.
Years ago I paid an agent and I didn't mind because it does cost quite a bit to send projects out to production companies and publishers. I think if they changed the rules back to where that can happen more authors would be taken by Literary Agents. Life is different to most people these days, which means sometimes things need change. I don't feel anyone should work for free; however, that is what I have done for years. Don't think if an agent charges money that means they are taking advantage of you.
A good agent will help a self- published author market their work and that does mean authors should pay for these services and not feel that they are being taken advantage of.
Jennifer Walker: Can you share some of your agency's success stories?
Marsha Cook: We have been very successful at getting our clients work read , by producers and publishers. We also have had several optioned book for movies. Most importantly many of our clients have self - published their books and they are doing very well with their sales. They are happy and that makes us feel great.
Jennifer Walker: What are some of the biggest mistakes you see when people seek you out for representation? What sort of mistakes are deal breakers that will cause you to throw out a submission?
Marsha Cook: W e have never just thrown out a submission. One mistake is to say this is the greatest story ever…right there I know this is a person that will not be in this business for a long time.
Jennifer Walker: What are the most important things a writer can do to get you to want to learn more about their book?
Marsha Cook: Also talk about their credentials and how long they have been writing. That really does matter.
Jennifer Walker: I've been taught to make sure I have every i dotted, every t crossed and every duck in its row before submitting to an agent or editor. Have you ever received a submission that was all wrong, but something in it caused you to look past all that and take the author on anyway?
Marsha Cook: I am not like other agents. I first look at the work. The story and the characters matter to me. They can always have an editor fix their grammatical mistakes but if the story isn’t there that would be a problem. I’m not big on bringing out the red pen and finding fault with everything.
Jennifer Walker: How important is it to you as an agent for a manuscript to be well edited, by a professional if necessary, before you see it? Isn't the publisher responsible for editing?
Marsha Cook: The manuscript should be in pretty good shape and we would never send a script or book out that is not edited. I need an editor and so does everyone else, if not before we read it after. Every writer needs an editor and that the writer has to pay for. If a publisher does take it they will edit it however they want but when we send it out it has to be the best it can be.
Jennifer Walker: How do you feel about the huge surge in recent years of self-published authors and what this means to the industry? How do you feel about these authors querying you--do you want their book to have made a certain threshold of sales before you will consider them for future projects? Do you ever take on self-published books to try to sell to publishers (I'm wording that weird, so I hope you understand what I'm asking)?
Marsha Cook: I think most publishers are so used to rejecting books they sometimes miss great stories. I actually think self-publishing is a great way to start a career when the writer can’t get published traditionally. Taking on self published books is what we do. These books can be sent out to producers, because producers are always looking for a good story they can develop into a movie.
Jennifer Walker: Does the author having a book published with a small press give them any better or worse chance of getting representation with you?
Marsha Cook: It doesn’t matter because we look at the content. If the story is there we will take them.
Jennifer Walker: Jonathan Franzen stated in a recent issue of the New York Times Book Review that novels are going the way of newspapers, only faster. Do you feel that novels are still relevant, important and salable?
Marsha Cook: I think there will always be books, but there is a big shift in the market because of kindle, nook and all the e-readers. I think novels are always going to be revalant.
Jennifer WalkerYou represent a lot of screenplays. Do you think any book can be a movie? If not, what should an author look for in their book to decide whether they should try writing a screenplay for it?
Marsha Cook: Not every book can be a screenplay but there are so many that can make great movies. In a screenplay there has to be some degree of speaking and action. If there isn’t enough dialogue or action in a book it may not translate into a good movie.
Jennifer Walker: Now that we've gotten to know you, some of my readers might want you to represent them. Are you currently accepting queries, and are there certain types of projects you are looking for--or not? Where can writers find submission guidelines?
Marsha Cook: We are taking clients after the first of the year. They can submit by query letter. They can check out http://www.michiganavenuemedia.com/
Have some questions for Marsha? Post it in the comments section, and she'll come on and answer them!
Wednesday, December 1, 2010
NaNoWriMo over for another year
Well, my fourth NaNoWriMo is over, and as most of you already know, I wrote my 50,000th word yesterday afternoon--in plenty of time to meet the deadline. While I am always happy to finish, this year's victory seemed just a little sweeter because it was just so hard this year.
The first year I did NaNo was 2007. I had never heard of it before, and I started nearly a week late. However, I had no problem writing a little extra every day and finiahed with 63k words and finished the book (which, by the way, I REALLY need to revise and edit and start shopping around). The next year, I wrote Bubba to the Rescue, book two in the Green Meadow Series, which is due out January 10th (yeah, sorry, we thought we'd have it out in time for Christmas, but it looks like it's getting pushed back). Anyway, that year I got a case of tendonitis in my elbows and lost a good week because I couldn't type...and it was hard to catch up, because I was still hurting and didn't want it to completely flair up and incapacitate me again. Yet, I still managed to finish. Last year, I wasn't even going to do it because I was working 12 hours a day between my exhausting day job and my writing. Michy made me do it anyway, and I finished. This year should have been cake!
However, it wasn't cake. It wasn't even muffin, or cookies, or pie. It just sucked. It was hard. I hated it. I was way busy with my various jobs and tasks and travel. of the 30 days in November, there were 8 days I didn't write at all, 10 days I wrote some amount that was less than the daily goal of 1,667, and only 12 days where I met or exceeded the daily goal. I didn't meet the halfway point until the 24th, with less than a week to go. I put in two 6k days, a 5, day and two 4k days to do it. That is a lot of writing in one day, when you consider I also had work to do.
I don't know if I will ever have a perfect, easy NaNo where everything is going my way, unless you count the first year where I only missed 5 days because I started late, but the rest went smoothly. What that tells me is that if I can write 50k words in a month despite all of the challenges that I face every year, I can accomplish anything I really want to. That sounds trite, but it's so true. We can always make excuses to explain why we can't do something. However, when we stop with the excuses and just DO it, look what we can accomplish!
If you haven't tried NaNo yet, I heartily encourage you to give it a shot next year. Why not? Sure, it's crazy. Sure, you have a lot going on. But, you've always wanted to write a novel, right? What a great excuse to get started on it.
In January, I will run LAFFN (Let's All Finally Finish a Novel) so you can finish your NaNo, revise a rough draft, or whatever you need to do in order to get a novel one step closer to publication. I'll post more when the time comes.
The first year I did NaNo was 2007. I had never heard of it before, and I started nearly a week late. However, I had no problem writing a little extra every day and finiahed with 63k words and finished the book (which, by the way, I REALLY need to revise and edit and start shopping around). The next year, I wrote Bubba to the Rescue, book two in the Green Meadow Series, which is due out January 10th (yeah, sorry, we thought we'd have it out in time for Christmas, but it looks like it's getting pushed back). Anyway, that year I got a case of tendonitis in my elbows and lost a good week because I couldn't type...and it was hard to catch up, because I was still hurting and didn't want it to completely flair up and incapacitate me again. Yet, I still managed to finish. Last year, I wasn't even going to do it because I was working 12 hours a day between my exhausting day job and my writing. Michy made me do it anyway, and I finished. This year should have been cake!
However, it wasn't cake. It wasn't even muffin, or cookies, or pie. It just sucked. It was hard. I hated it. I was way busy with my various jobs and tasks and travel. of the 30 days in November, there were 8 days I didn't write at all, 10 days I wrote some amount that was less than the daily goal of 1,667, and only 12 days where I met or exceeded the daily goal. I didn't meet the halfway point until the 24th, with less than a week to go. I put in two 6k days, a 5, day and two 4k days to do it. That is a lot of writing in one day, when you consider I also had work to do.
I don't know if I will ever have a perfect, easy NaNo where everything is going my way, unless you count the first year where I only missed 5 days because I started late, but the rest went smoothly. What that tells me is that if I can write 50k words in a month despite all of the challenges that I face every year, I can accomplish anything I really want to. That sounds trite, but it's so true. We can always make excuses to explain why we can't do something. However, when we stop with the excuses and just DO it, look what we can accomplish!
If you haven't tried NaNo yet, I heartily encourage you to give it a shot next year. Why not? Sure, it's crazy. Sure, you have a lot going on. But, you've always wanted to write a novel, right? What a great excuse to get started on it.
In January, I will run LAFFN (Let's All Finally Finish a Novel) so you can finish your NaNo, revise a rough draft, or whatever you need to do in order to get a novel one step closer to publication. I'll post more when the time comes.
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